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Knowing broadly what (and who, and where) your story is about already narrows down your scope in a useful way.Ĭrime writer Sophie Hannah describes starting with an elevator pitch: Let’s discuss story planning in more detail: 1.
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How to organize your novel to become a stronger story planner: Then there is nothing wrong with using methods and tools that support your story’s focus. Whether you use a story planning tool such as Now Novel’s dashboard or Scrivener depends on your needs (many of our members have said they use both, each for their own features and strengths).ĭo you need a creative and flexible system? A way to define your characters in advance so you can picture them clearer as you draft scenes? An outline that guides you through your rough draft? (These are some of the benefits Now Novel users have attributed to our own story planner.) Sophie Hannah, ‘How and Why I Plan My Novels’, via author’s website. You might want to do that – in which case, you should do it! – but if you’d like to spend one year writing a book rather than five, planning is the way forward. A lot of the thriller-writers I know who turn up their noses at planning end up writing four or five drafts of their novel before they’re happy with it. Of course, there will be edits later on, but you might not have to do a complete second draft that feels almost like starting from scratch. If you get the planning and plan-editing process right, you should only have to write one complete draft of your novel. NY Book Editors, for example, published a piece titled ‘Planning to outline your novel? Don’t’ (though some of the arguments are questionable, as the comments raised).Ĭrime fiction author Sophie Hannah, on the other hand, suggests that being a methodical story planner saves you time later:
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Opinion is divided on whether or not you should plan a story in detail. Learn how to organize your novel using methods such as online story planners and tools, annotation and story planner templates: Should you use a story planner tool? Yet this may take longer, and there are other risks to having no story scaffolding. Some writers swear by seeing where a loose, less structured writing process takes them. Being a story planner is not necessarily vital for success.